Steven Soderbergh made it difficult for auteurist critics from the very start. The chameleon-like director who has hopped genres and budget levels more than any other major filmmaker over the past two
Based on George R.R. Martin‘s third book of the "A Song of Ice and Fire" series, ‘A Storm of Swords’, the third season of the HBO series**"Game of Thrones"** is beginning to hit its stride much like m
2013 was a good year for animation, with audiences enjoying high-profile titles like “Monsters University” and “Frozen” (Disney), “The Croods” (DreamWorks), “Despicable Me 2” (Universal), “Cloudy with
My teenage son liked **“Thor: The Dark World”**better than the first film, and so did more than 140,000 “users” at the Internet Movie Database, who gave it a collective 7.5 out of 10, compared to a 7.
Any film that articulates how the human spirit can try, fail, get back up, try again, fail again, get back up and not take “No” for an answer is bound to find its way to a soft spot in somebody’s hear
If Robert Rodriguez hadn’t thrown experimental bio-weapon-created zombies at audiences back in 2007 with “Planet Terror,” the plot of “Code Red” would seem more impressive. But this 2013 action-h
It’s rare I’ve written a review that feels more futile from the outset. The train has most definitely left the platform. If you’re on board the “Downton Abbey” Express already, by the current release
Bruno Barreto (“Dona Flor and Her Two Husbands”) and his screenwriters faced a difficult challenge with **“Reaching for the Moon,”**a period drama set in the ‘50s: to tell the story of a relationship
The English civil war—a struggle for the crown and titled lands that was fought between the houses of York and Lancaster—lasted 30 years (1455-1487). Dubbed the War of the Roses, it was a period in En
Though NASCAR reigns with a greasy fist in the arena of U.S. auto racing, outside America, Formula One drivers are superstars, and the sport is avidly followed by legions of fans every bit as die hard
A screenwriter friend of mine once remarked that there were only two kinds of movies: ones in which the hero leaves his home/land and encounters something or someone that challenges him, and ones in w
“The Turin Horse” and “Jeanne Dielman” are my ideas of cinematic bliss. When frustrated viewers complain that “nothing happens” in a movie, save me an aisle seat. By that standard, Andrei Tarkovsky's